In the end, today’s show is an elegy for these wishes. I want to be able to look back at my life and career and know that I left some inanimate objects behind, yes, but also a logic that changed the mainstream.” A timeless accessory, this scarf will add a touch of luxury to any ensemble. It is made from soft mink fur and features an all-over Monogram motif, meticulously applied using a high-tech printing method. “It’s about being a black voice that matters beyond the fringes. Discover Louis Vuitton Monogramink Scarf:The Monogramink Scarf is an exceptional display of the Houses craftsmanship. It’s about how to be a black thinker in white spaces it’s about inserting the black canon in art history books,” Abloh told Vestoj magazine, in an interview published before his death. My career in that sense is an investigative exploration. “I’m an autodidact, an explorer, and often I’m an amateur too. As a final creative statement it seems to be an underlining of his core values. If this spring/summer 2022 collection lacks that narrative element, the clothes do the storytelling and remind you that Abloh was endlessly inventive, furiously reinventing with every hat, accessory or cut of trouser. He attached the personal (whether it was the kente cloth his father wore or his architectural training via suits with built-in skyline dioramas attached) to the political, during an era which existed in the shadow of the Black Lives Matter movement. Both the spring/summer 2022 and autumn/winter 2021 Vuitton shows were mixtape-like riffs on black consciousness, featuring GZA from the Wu-Tang Clan, Saul Williams and the inspiration of James Baldwin’s essays. Abloh’s work was always pregnant with meaning and his last two collections for Vuitton flowed like multi-ideological jazz: picked apart element by element, it felt like a perilously collapsable stack of ideas but when seen live, it made perfect sense.
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